Wrist Game or Crying Shame: AAA Quality Fake Omega Dynamic Chronograph

It was tough sledding for last week’s TAG Heuer Kirium Formula 1. The neo-vintage ana-digi chronograph took a vintage Mike Tyson style beating with 73% voting this one to the scrap pile. The comments were absolutely savage and many of you recalled the days of fragrances such as Drakkar Noir and Davidoff (no, not those guys) Cool Water. I’m going to go out on a limb and guess that today’s best quality fake Omega Dynamic III will fare much better. Whether it wins the Fratelli’s favor, will be up to you.

The Omega Dynamic III
The Omega Dynamic series of watches have normally been reserved for downright odd watches from the brand. If you go look up the Omega fake with black dial, the original series contained an oval-shaped case that makes me think of the hallucinogenic drugs of the 1960s and ’70s. The second series erupted into the 1980s and followed the drug trade with its Acapulco gold looks and off-centered dial designs. Therefore, it was nothing short of surprising when the Dynamic III line debuted in 1997 in a very buttoned-up form.

With the copy Omega Dynamic III line, the brand set about offering watches to a younger, entry-level buyer. They also decided to look back to World War II and the watches they made for the British military. In what I can only describe as a bit of a weird move, Omega chose to debut these watches in Munich at the Inhorgenta fair. Regardless of the questionable locale, the world at large received two 38mm steel military-inspired watches available at approachable prices. One was an automatic chronograph and the other was a three-hand automatic with date.

Some specs
Whether you chose an Swiss movement fake Omega Dynamic III in field watch or chronograph guise, there were similarities. As mentioned, both rang in at 38mm in diameter. You could have them on leather or bracelet and each was good down to 50 meters with their screw-down crowns. Both watches used the ETA 2892-A2 as a base, but the chronograph brought in a Dubois-Depraz module. If you’re looking at the chronograph from the side, you can see the “stacked” crown and pushers.
A simple screw-in case back with the Omega logo kept things tidy. The watches all had black dials, lumed dagger hands, a yellow sweep hand, and luminous Arabic numerals. Notably, these numerals switched to Super-LumiNova around 1998, which explains the stark difference when viewing various models.
Not overly popular
I still recall seeing the steel braelet replica Omega Dynamic III at places like Tourneau in New York City during the late 90s. It’s hard for me to remember the prices, but I feel like the chronographs were under $2,000 and I honestly cannot recall the cost of the three-hander. People like my Dad took a look at these because of their no-nonsense looks. However, I remember him ultimately moving on to something that looked a little more serious and grown-up. These watches didn’t look overly cheap, but they certainly had emitted an air of cost-cutting. Perhaps the printed dials were the root cause. Whatever the reason, these simply didn’t sell. You can read more about them here.

Cindy Crawford Shares Her Piece-Unique Luxury Replica Omega Constellation & Memories Of Picnics In Switzerland

As far as I can tell, Cindy Crawford was the very first modern replica watch brand ambassador. Sure, Rolex featured famous athletes and explorers in their advertisements, and occasionally a brand would land a product placement deal with a major Hollywood blockbuster. But when Crawford signed on with Omega in 1995, not only did she start a now-25-year relationship that would see her design watches, travel the globe speaking about them, and partner with Swiss movement fake Omega on philanthropic work – she also changed the watch industry forever.


So when I had the chance to sit down and chat with Crawford a few weeks ago, I had a mountain of questions about those early days. What was it like being approached by a watch company before that was de rigueur for a person of her stature? When did she take her first trip to the best quaity copy Omega manufacture, and what does she remember about seeing serious watchmaking for the first time? Which design elements of the famous Constellation actually came from her? I got answers to most of those questions, but I also got quite a few stories I hadn’t bargained for: Memories of picnics on Swiss mountaintops with none other than Jean-Claude Biver (who was in the midst of revolutionizing watch marketing as the head of Omega), that time she jokingly told Nicholas G. Hayek Sr. that she really wanted a platinum fake Omega Constellation (and, spoiler alert, he made it for her), and a whole lot more.


In addition to talking about the minutiae of watchmaking and luxury marketing, we also got into Crawford’s early days working in cornfields and aspiring to be president, why the early ’90s were the perfect time for the emergence of supermodels, and how she has turned her career into a platform for having a voice and making a difference. “I’ve always said that modeling is what I do, it’s not who I am.”